![]() Use Transform > Position to move the compound clip where you want it. ![]() Change the image inside each compound clip.Stack the duplicates above each other in the timeline.Duplicate the compound clip in the Browser.The only way to fix it is either not use a dissolve or not use drop shadows. In the Inspector, I also lowered Opacity to 50%.įor some reason, the drop shadow changes position during the dissolve between insert shots. Drag the onscreen controls to change the location and perspective of the drop shadow. Select the compound clip in the timeline and apply Effects > Stylize > Drop Shadow. To return to the project, either click the “Go Back” arrow to the left of the compound clip name, or double-click the project name in the Browser. You can animate these insert clips as much as you want. This changes the shot inside the shape, without altering the shape. In this screen shot, I added a second clip and dissolved between them. NOTE: Double-click the compound clip to edit it. NOTE: You are moving the compound clip, NOT the images inside it. Select the compound clip, then use Video Inspector > Transform > Position to move the compound clip where you need it in the frame. Name this something that makes sense to you.Īdd a background image into the Primary Storyline, then place the compound clip above it. This combines the two clips into a single unit in the timeline. Select both shape and insert clips in the timeline, then choose File > New > Compound Clip. NOTE: You can also animate movement of the insert image so that, while the shape remains stationary, the image under it is moving, growing, shrinking… whatever you want. While the image changes, the shape won’t. You can now scale this as much as you want to precisely determine what appears in the shape. Select the insert image (on the lower layer). NOTE: If you are using a Photoshop image, position the shape using Video Inspector > Transform > Position. In this step you simply want the image to fully fill the shape. Don’t worry about creating a final position for this image, we’ll do that next. Drag the white circle to position the shape where you want it. If one or more edges of the inserted image is black, as illustrated in the screen shot above, move the shape more toward the center of the frame ( Transform > Position), then do the same thing with the inserted image.Here’s the magic part: with the shape clip selected, go to the Video Inspector and set Blend Mode to Stencil Alpha.Don’t worry about the Fill Color, we need it checked but we won’t use it. With the shape clip selected, uncheck Outline, then turn off the default drop shadow by setting Drop Shadow Opacity to 0.Generators include a transparent background by default. What IS important is that the shape have a transparent background. NOTE: You can also create a custom shape in Photoshop. You can pick a shape from the Generators browser ( Generators > Elements > Shapes).Add a shape above the insert clip in the timeline.Add the insert clip this is the clip that will appear inside the shape.Convert the two clips into a compound clip.Multiple images can be composited on screen at the same time.A composited image can be moved, even animated, without changing the size or position of the containing shape.Images can be changed inside each shape without changing the shape itself.An image can be scaled without changing the shape.There are many advantages to this technique: Add drop shadows, or not, as you prefer.An unlimited number of foreground images.The good news about this technique is that it can be created easily in Final Cut and supports: (This type of image is a called a “composite.”) To set the stage, here is where we are going. There is a much easier solution – and provides a great deal of flexibility. I guess nobody anticipated making these kinds of Zoom videos, but it would be great if there were an easier solution. FCP X does not allow this – if trim is selected after the crop, the image shrinks and it requires resizing to fit into place. There are times I make a crop, but then I want to trim from there to make a Zoom window. I have a frustrating dilemma that has prolonged the editing of a recent stylistic Zoom chat. This tutorial sprang from a question that Tiberio asked:
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